

A wealthy, Nigerian-American teenager is pulled over by police, shot to death, and immediately awakens, trapped in a terrifying time loop that forces him to confront difficult truths about his life and himself.
Director: Ali LeRoi
Writers: Stanley Kalu
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The Obituary of Tunde Johnson gets off to a promising start. The title character (Steven Silver) is a gay Nigerian-American teenager from a wealthy family. We meet him the night he comes out to his pa...

Julia goes back to the pool and remembers that, sometimes, life challenges ourselves to keep going and make decisions.

Harems is a love story between a screen-writer and a gogo-boy, the latter being typically representative of the image of seduction in the 80's. The screenwriter leaves on a journey and asks the gogo-boy to accompany him. A scandal breaks out and the gogo-boy's antics lead to both men's meeting with the narrator. She introduces the spectator to the psychological state of the screen-writer - who is in the process of inventing a mythic character based on his lover - and befriends and helps the gogo-boy in his quest for happiness. The narrator relates the story taking place between the two men and questions the relationship between fantasy and the reality of love.

Identifying himself intimately with serial killer John Wayne Gacy, the director uses the camera to take hold of the actors, constructing fantasies that lead them to believe they are the victims in a film yet to be made. The young men, aged 19 to 26, speak from the heart about love and prostitution. Their search leads us into another world. Is this the world of John Wayne Gacy?

The arrival of a new student in school changes Leonardo's life. This 15 year-old blind teenager has to deal with the jealousy of his friend Giovana while figuring out the new feelings he's having towards his new friend, Gabriel.

A musical that brings a bit of the history of Brenda Lee, called the "guardian angel of transsexuals", activist who founded the first support house for people with HIV/AIDS in Brazil. She has a pension for trans women who, for the most part, live off prostitution. Despite the reality of violence in which they live, inside the house, the transsexuals are welcomed by Brenda, who teaches them to want more out of life.
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