The Forty-Year-Old Version

A cult guru urges a shy disciple to make life a movie and be its star.

Twelve-year-old Sprotte has a 'gang' with her three friends Frieda, Melanie, and Trude. Together, the girls care for Sprotte's grandmother's chickens. The new girl in school, Wilma, wishes to join the group, which Melanie is very unhappy about, and on top of all of that they have an ongoing revalisasion with a group of boys.

"Taking its title from John Keats’s early 19th-century poem, this highly personal melodrama finds Dulac interrogating the archetype of the femme fatale. La belle dame sans merci follows a famous actress who was once seduced and abandoned by a rich man and subsequently resolved to become a “merciless woman,” forever scheming to hurt others (men in particular) in a ruthless yet captivating manner. Dulac challenges the Romantic archetype embodied in Keats’s poem by way of symbolist mise en scène, self-reflexive narration, and her typically associative approach to editing, locating a modern ambiguity within the stereotypical figures of 19th-century art." - Film Society of Lincoln Center

Roni and Bri have fallen in a forbidden love, where lies and secrets lead to the end of their relationship. Bri tries desperately to move on and forget her past love with Roni. But, she's in for an unexpected surprise when secrets are revealed and her life is now a twisted love triangle with her past.

The loving and nurturing Mariel marries Edward after his first wife abandons him and their three children. Mariel strives to win the acceptance and affection of her new stepchildren, even as she tries to define her role in the family.