

A tale of outsized ambition and outrageous excess, tracing the rise and fall of multiple characters in an era of unbridled decadence and depravity during Hollywood's transition from silent films to sound films in the late 1920s.
Director: Damien Chazelle
Writers: Damien Chazelle
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Chris Sawin
A fecal, anal honking, and vomit-infused tale revolving around orgy-driven slaphappiness and punchdrunk intoxication as the silent movie era disjointedly stumbled into sound and talkies. Channeling th...

Employess of a dress shop battle with a crooked gambler to get their jobs back.

No description available for this movie.

The true story of a small town, working class father who embarks on a solo walk across the U.S. to crusade against bullying after his son is tormented in high school for being gay.

Illustrates a man's struggle to overcome an inherited love for drink. Although yet a young man, the enemy of his family had already sunk its claws firmly upon James Grant. A man of superior intelligence, his habits hold him down to the lot of a common laborer in a small saw mill on the St. Johns River. About two years before the opening of the picture he had met and fallen in love with Jenny, the daughter of a small farmer, living near the saw mill. Under the influence of her great love he has succeeded in throwing off the burden of his hereditary desires. For three months he has not touched a drop of liquor.

“[…] ‘There are several common notions surrounding *Waiting for Godot*. It is often described as an absurd text, but to me, it seems lucid and coherent; what it seeks to convey is that human beings are absurd—irrational, eccentric, contradictory, arbitrary, and nonsensical. For Sanzol, humor is one of the fundamental elements of *Waiting for Godot*. ‘It is one of the reasons I wanted to stage this play. Beckett’s humor conveys compassion for the human being, yet it makes no compromises. It is stark. It is up to the audience to decide whether or not to laugh. It does not pander. Yet it is not an arrogant humor. It is a humor that fights for human dignity, doing so by revealing the indignity in human behavior. It is a multifaceted humor,’ concludes [Sanzol]. […]” (Julio Bravo, *ABC*, April 19, 2013)
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