

Kitty Collins and Flo Jenkins, a couple of jazz-age cuties with bobbed-hair and rolled-stockings, go in search of good-times and whoopee-making. The party they find also includes some out-of-town, butter-and-egg millionaires whose definition of whoopee is not the same as the one Kitty and Flo have. The wives of the millionaires also have a different-and-dim view on the matter.
Director: John G. Blystone
No Reviews Available

After buying a car, Richard Burton finds that his wife and daughter have become unreasonably extravagant, and is surrounded by sponging friends.

Desperate to change her vixenish image, Theda Bara was called upon to play a sweet young thing (she was nearly 30) who sacrifices herself for the happiness of her sister (Claire Whitney).

Mary Lynde (Theda Bara) is an innocent girl who has grown up in New York's Greenwich Village. One of the artists there, Felix Benavente (Sidney Mason), uses her as model when he paints a portrait of the Madonna for a church. His friend Robert Sinclair (Hugh Thompson) corrupts Mary so that her father (Walter Law) casts her from his home. She goes to live with Sinclair in his mountain lodge, but after the birth of a child, he callously casts her aside. Subsequently, her baby dies and she sinks to the depths of despair.

In this film, her next-to-last picture for Fox, it was Theda Bara's turn to tackle a double role. Bara's characters are twin sisters La Belle Russe, the wicked one, and Fleurette, the nice one. They're Parisian dancers, and Fleurette marries Philip Sackton (Warburton Gamble). However, Sackton is a member of Britain's snooty aristocracy, and his family disinherits him.

Male and female sales agents, Phil and Ruth, for rival hosiery concerns try to land an order. For a while Phil succeeds and puts on an exhibition but Ruby makes the mannequins use her own brand of hose, flirts with the buyer and wins order away from her rival.
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