Citizen Lane

A one-of-a-kind cinematographic experiment. A grotesque fairy tale, staged in the real lives of the characters. A completely self-produced movie, designed and directed by two visual artists, with the purpose of telling the tale of Artaserse, a retired worker, boxer, trainer and life-long painter. Everything is staged in an industrial, now decadent Terni; like a steel bay without the sea, here it's difficult to dream about becoming an artist. This movie is like a suburban western movie; the boxer and the painting dancing the communal square dance together, in life and death, the meeting-match between Artaserse and an allegorical and remorseless art world, and more generically, the battle of all the colorful characters, appearing throughout.

An intimate portrait of the Franco-Iranian painter Davoud Ghanbariha, filmed in the outskirts of Paris. Through a dialogue between his voice and his paintings, Maintenant et ici explores memory, exile, and the act of creation as a fragile bridge between past and present.

Shot in Aix-en-Provence, Château Noir is a cinematic homage to the landscapes once painted by Paul Cézanne. Through minimal camera movements and a meditative gaze, the film seeks to translate the act of painting into pure visual rhythm — capturing light, air, and silence as living matter.

November 26, 2005. The day Grêmio defeated his opponent in enemy territory with seven men on the pitch. Warriors covered with the ever-victorious sacred mantle of three colors. No team in the world has the determination, the spirit of claw and the bravery typical of the gaucho as the Immortal Tricolor. Facing diversities is part of the culture and history of this club that fills the Rio Grande do Sul with pride and joy. Only Grêmio would be able to overcome the difficulties of this battle and make history as Brazilian Champion of Series B. An epic that the tricolor nation will never tire of remembering, reviving and celebrating. The living, real story of who was there. Exciting testimonials and exclusive images will make you, gremista, get emotional once more, as if you were in the Estádio dos Aflitos.

{ Auto-biography of all the video experience Gabriel had based on his childhood’s productions. }