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This is more along the lines of "What if Courtney Love fronted Bikini Kill...and Bikini Kill was still good despite her presence?" It's not a bad movie for 90s punk nostalgia. And it's not a bad mo...

The stakes are much higher than life or death in The Tribunal, a courtroom drama set in a Catholic Marriage Tribunal. On the surface, it appears that the struggle between Tony and Joe, two best friends who both love Emily, hinges on Joe obtaining an annulment of his first marriage, so Emily, a devout Catholic, can marry him. As they each fight for whom they love, the Tribunal slowly answers the ever-present question hanging over the proceedings, "What does God want?" Why it matters to these three is the reason it matters to every person. Our souls will not rest until they rest in the arms of the Lord.

"Gekokujyo Xstasy" is a video album by Japanese singer and songwriter Ringo Sheena, released on 7 December 2000 by Toshiba EMI. It contains a live recording of Sheena during her first tour of the same name. "Gekokujyo Xstasy" was the first nationwide tour for Shiina performed from April 17, 2000 to June 7. The live video takes up two performances at NHK Hall and at Fukuoka Sunpalace mainly from this tour. The stage design of the tour makes a hospital a motif like her single "Honnou." The stage setting imitated an operating room, and an ECG Monitor or an anatomical model of the human body, etc. were arranged on the stage, and the synthesizer and the drum set were laid on operating tables. Shiina wears a white dress looks like gauze bandages with which she blinds her body. Four members of the tour band also wear the white coat.

Grammy Award-winning, multi-platinum selling band The Pretenders (featuring the Legendary Chrissie Hynde) performs with special guests including Iggy Pop, Shirley Manson of Garbage, Kings of Leon and Incubus, recorded live at the Decades Rock Arena in Atlantic City, NJ.

A music promoter sends a young woman on a road trip in search of a band who hasn't been showing up for their gigs.

A White enclave in Johannesburg, South Africa, in the 1960s. Molly Roth, 13 years old, is the daughter of leftist parents, and she must piece together what's happening around her when her father disappears one night, barely evading arrest, and, not long after, her mother is detained by the authorities. Some of Molly's White friends turn against her, and her family's friendships with Blacks take on new meaning. Relationships are fragile in the world of apartheid. How will she manage?
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