Nazi UFO Conspiracy

This video invites you inside the U-505 submarine, the actual craft that stalked the waters of the Atlantic before it was blown to the surface and captured on June 4, 1944. This immersive video reveals the technology and life aboard this sub in the days leading up to her capture. Among the many highlights, you’ll see crewmen bunks and the galley, wedged in among the mechanical workings of the sub.

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

Director Dan Farah got 34 senior members of the U.S. Government, military, and intelligence community to come on camera. He says they reveal an 80 year cover-up of the existence of non-human intelligent life and a secret war amongst major nations to reverse engineer technology of non-human origin. The film explores the profound impact the situation has on the future of humanity, while providing a look behind-the-scenes with those at the forefront of the bi-partisan disclosure effort.

It was one of the great crimes of the Second World War: from 1941 to 1944, a total of 872 days, the siege and starvation of Leningrad by the German Wehrmacht on Hitler's orders lasted. Over a million people fell victim to the blockade, most of them dying of hunger. Countless of these starving people wrote diaries with the last of their strength, and cameramen filmed in the paralyzed city. Evidence from the hell of the siege, many of the film recordings, but above all the written memories on which this documentary on the occasion of the 80th anniversary of the liberation is based, remained under lock and key after the war. The voices of those who had suffered through this terrible time should not be heard by anyone, because they did not fit the pathos of the Leningrad heroic song that was officially sung. Most of the recordings come from women. The writers feared neither the enemy nor the Communist Party or Stalin, who often proved incompetent in providing for the population.