Verfolgte Wege

After World War II, many young French women became housewives, convinced that devoting themselves entirely to caring for their families was a noble mission and a means of personal fulfillment.

Germany in May 1945: the war is over, men are returning home and a new life begins in the villages. After 12 years in a concentration camp, the "Red Shoemaker" also returns to his home village. His wife is dead and others live in his house: Gebhardt, an employee on the farm of the large farmer Winter, and his family. The "Red Shoemaker" comes to stay with Hübner and his daughter Agnes. Over the past terrible years, he had repeatedly felt the hatred within him and wanted to take revenge on those who had sent him to the concentration camp. But now he wants to look to the future and takes on the position of mayor here in the village. He works to ensure that the village is supplied with food and tries to ensure that the fascist ideology disappears from people's minds. In doing so, he also makes enemies.

An American army officer working for British intelligence comes to post-war Berlin to solve a murder. His investigation is compromised when he falls for a nightclub singer, not realising she is an agent of the criminal mastermind he is on the trail of.

Post-war Germany 1945: Two rival gangs of uprooted boys fight each other in the ruins of Berlin, whose business is the black market out of necessity in order to survive. Their respective leaders are Gerhard and Dietrich. A pretty young circus artist named Corona comes to the destroyed city with a traveling circus. She immediately caught the boys' attention. When the latter notice that the circus director is abusing the girl, the two gangs join forces and plot an act of revenge against the tyrant. But with the hustle and bustle caused by this, Corona falls from the trapeze and is seriously injured. When the circus moves on, the boys organize a doctor for the sick artist who has been left behind. Their collectively concern for the blonde beauty makes them forget their enmity. This welds the troops closer together and sets the course for a common, meaningful future.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.