

The movie follows two castaway children who grow up with one of their fathers, but must fend for themselves after they are captured and deified by natives. Adapted from Henry De Vere Stacpoole's novel The Blue Lagoon, via the film of the same name, Pengantin Pantai Biru introduces several differences to the story.
Director: Wim Umboh
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Tanya is a female model who lives with her boyfriend Lobo, a surrealist painter who is extremely violent. Subjected to Lobo's constant abuse, Tanya dreams of escaping to a desert island, which comes true. The only other being on her island is an enormous blue-eyed man-ape who was born from one of Lobo's paintings.

Camille arrives in Ouessant, the island of her birth off the Brittany coast, to sell the family home. She spends a last night in the house during which she discovers a secret. In 1963 a man came to work with her father, who was the Jument lighthouse operator. He only stayed two months, but his presence proved to be a disturbing catalyst.

An idyllic voyage to Tahiti in 1789 turns a crew aboard the H.M.S. Bounty against its captain when they find a tropical paradise.

An island in Japan is the site for the dumped and the refuse. Nanakusa and Yu who were childhood and school friends meet on this island that is called Kaiden, a scary name that only refers to things not normal or earthly. The reunited friends strike a bargain and are soon involved in cases most would not dare be involved in or become entangled in.

During the year of the repressive military regime, a Turkish writer gets disillusioned by the loss of a dear friend and retires to his hometown on a remote island where he feels safe from the political turmoil. There he escapes to the world of memories, having imaginary conversations with his dead friend. However, the news of a new murder alerts him to the dangers lying ahead. Shot in Turkey following the years of military regime, Av Zamani carries autobiographical elements as the director Erden Kiral also had to flee the repressive regime of his country to be an exile in Germany. The weakness of the film is that the director is not able to take enough distance from the events to give the story a more universal appeal. Av Zamani was screened at the Montreal World Film Festival 1988.
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