

A once-abused woman devotes herself to ridding victims of their domestic abusers while hunting down the one she must kill to be truly free.
Director: Sarah Daggar-Nickson
Writers: Sarah Daggar-Nickson













JPV852
Olivia Wilde is great, the rest of the movie was needlessly slow adding no suspense or emotion. Without lingering shots, this would've easily been under 80-minutes. Shame that a great performance was ...

In Bodeen, Texas, an indie-rock loving misfit finds a way of dealing with her small-town misery after she discovers a roller derby league in nearby Austin.

In Manhattan, a mother of two preparing for her daughter's sixth birthday party has no idea of the challenges she's about to face in order to pull off the event.

The film is based on a 2003 novel by the same name, written by Norwegian author Jostein Gaarder. The main character is the young boy Georg who one day finds a long letter from his deceased father. The letter tells, among other things, about the father's youthful love for the mysterious "orange girl" (appelsinpiken), and leaves a mystery for Georg to solve.

Mordant, self-aware, freighted with sensitivity toward Chile’s problem, wary of caricature, disposed toward consciousness of human fallibility, it is a deft blend of fiction and documentary set in the tumultuous days leading up to the election of Salvador Allende in 1970.

Feminism, Victoria Benedictsson, Leandro N. Alem, the Radical Party in Argentina, suicide, stunts, Edgar Allan Poe, the complicated relationship between low-budget films with a political aim and the film industry, Robert Louis Stevenson, fiction, facts, greed, gold treasures left by the Jesuits in Argentina, the 19th Century vs. the contemporary and the search for truth and wisdom are the background for this portrait of a clash between a Swedish artist and an Argentine film director.
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