

Loosely based on the criminal career of Frank Lucas, a gangster from La Grange, North Carolina, who smuggled heroin into the United States on American service planes returning from the Vietnam War, before being detained by a task force led by Newark Detective Richie Roberts.
Director: Ridley Scott
Writers: Steven Zaillian
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Andres Gomez
Quite a disappointed since it is really as much as you expect, but nothing new. Washington and Russell perform really well, so, as a characters movie, it works. It doesn't work at all as a biopic. ...

An 18-year-old boy named Haewon hates his father for being unfaithful to his mother. In the same apartment block, Ha-young becomes an orphan after her father passed away. One night, they decide to take revenge on the irresponsible adults.

A father and daughter in a tense relationship struggles to support one another when a cop all of a sudden shows up.

No description available for this movie.

After breaking out of jail, a team of punks goes after their arch-nemesis to ruin his daughters' birthday party. Then, they head back to their hideout. But, vengeance awaits them, Mexican-style.

Lovers & Murderers is about the ongoing war between those who have and those who want to have what the others have. The have-nots see themselves as poor victims trying to get for themselves what is justly theirs. But when the have-nots become haves, they continue to see themselves as victims of the hordes baying for what is justly theirs, and they have neither the energy nor the security to enjoy what they have obtained. The movie takes place in the microcosm of a small apartment building. The principal goal of the young people who share rooms in the building is to move into their own room and, some day, a real apartment. They scheme to get what they're after: form short-lived alliances, petition, frighten, marry, become pregnant, anything that might work. Lovers & Murderers presents Páral's vision of mankind caught in a cyclical process in which ideology pales before the pettiness, cruelty, and self-justification of human nature.
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