Wonder Boy

Falco in 1993 on the Danube Island in Vienna in front of 100,000 fans—an impressive concert has found its way onto DVD. Viewers can quickly understand why the "Falcon" became Austria's number one pop legend. With minimal effort and subtle theatrical gestures, he captivates the audience -- not only with his hits "Der Kommissar," "Jeanny," "Vienna Calling," and "Sound of Music." The atmosphere is perfect — despite, or perhaps because of, the thunderstorm that rolled in during the famous concert. The fact that lightning struck right next to the stage during "Nachtflug" and temporarily knocked out the sound system is, so to speak, a sign of the energetic atmosphere of that evening.

„White mouse“ Fritz controls the traffic on Dresden’s Körner Square. Helene, who crosses the junction on her motor scooter every day, has taken a shine to Fritz a long while ago. Although Fritz yields right-of-way to her remarkably often, the two have not spoken to each other. In order to finally get to know him better, Helene deliberately performs a traffic violation. Her plan is working: She is ordered to take road safety education lessons from Fritz and they get closer. New problems arise in the shape of Mrs. Messmer who must pay a monetary fine. She feels discriminated against by Fritz and complains about him to his supervisor.

Led by the itinerant carnival vendor dealer Ursus, Gwynplaine joins a traveling troupe with blind girl Dea and becomes the most famous clown in Europe. His fame, however, soon leads him to corruption and confusion. Set in seventeenth-century England, the work criticizes the state of society in which social justice and humanity have been eroded, and sheds light on the value of human dignity and equality through Gwynplaine's journey.

Talented cabbie with aspirations as a singer spends afterhours practicing with an amateur opera company, ignoring his sweetheart, the femme cab dispatcher.

Black and white footage of performances, interviews, and conversations at the Newport Folk Festival, from 1963 to 1966. The headliners are Peter, Paul and Mary, Joan Baez, Pete Seeger, and Bob Dylan, who's acoustic and electric. Son House and Mike Bloomfield talk about the blues; John Hurt, Howlin' Wolf, and Sonny Terry and Brownie McGhee show its range. The Osborne Brothers perform bluegrass. Donovan, Johnny Cash, Judy Collins, Mimi and Dick Farina, and others less well known also perform. Several talk musical philosophy, and there's a running commentary about the nature and appeal of folk music. The crowd looks clean cut.