Mary Queen of Scots

Satoshi returns to Taketomi Island to take part in his grandmother's 97th birthday 'mandala' party, a special celebration that's unique to this island. Just as he arrives at her house, he learns that she has just passed away. The next day from his grandmother's diary, they discover a long kept secret...

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

A white man goes on trial for having raped a black woman.

The conflict between Dole Food Company and Swedish filmmaker Fredrik Gertten unfolds dramatically in the documentary "BIG BOYS GONE BANANAS!" as the corporation attempts to suppress Gertten's earlier film, "BANANAS!"—chronicling Nicaraguan workers' lawsuit against Dole. Initially selected for the 2009 Los Angeles Film Festival, "BANANAS!" was abruptly removed from competition, followed by a negative article in the Los Angeles Business Journal and legal threats from Dole's attorneys. Gertten captures this saga of corporate intimidation, media manipulation, and legal challenges in his documentary, showcasing the struggles documentary filmmakers face and highlighting the threat to freedom of speech posed by powerful corporations protecting their reputations.

After an overnight long-distance drive, Joby has a special meeting—with lawyers and his ex-wife. A struggling musician with the prerequisite tattoos, slimy hair, goatee, and his head firmly floating in the clouds, Joby hasn’t been around to be a dad. Now is his last chance to fight for shared custody of his daughter, Ellen.