Colette

James Wynn wants to ask his deceased father questions about the Family Business. He invents a device that gives him the ability to go back in time to 1985. However, when he arrives, there's a problem.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

An experimental drama entirely composed by monologues. A personal journey through male homosexuality - from darkness to light, from total denial to complete acceptance - as told in monologues performed by actors and adapted from interviews with ordinary Italian gay men. A multicolored kaleidoscopic journey through a varied and multi-faceted aspect of the human experience that is rarely represented on the big screen

A hunt for a spy in a hotel in the South of France just before World War Two.

Black and white unite and are confronted with hatred in two color-line-busting classics from the classic years of exploitation.