La Cage aux Folles

In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.

Sul Won is an out-of-work young man whose mother runs a low-cost boarding house for students and men who don’t have enough money to buy or rent an apartment on their own. But when his mother suddenly has to up sticks to return to her provincial hometown, she leaves Sul Won in charge of the boarding house – becoming the de facto live-in landlord. The residents of the boarding house are a mixed bunch. They include a high school senior, who also happens to be Sul Won’s cousin. There is also Sul Won’s former college friend, as well as Kim Chun Seo, a high school teacher. Rounding out the number is a third-year Art student who dreams of becoming a cartoon author. As the young men spend more time together, a close bond of friendship begins to form in the house. But when Sul Won discovers that some of the tenants have begun to develop a crush on him, Cupid could well come calling!

During her wedding ceremony, Rachel notices Luce in the audience and feels instantly drawn to her. The two women become close friends, and when Rachel learns that Luce is a lesbian, she realizes that despite her happy marriage to Heck, she is falling for Luce. As she questions her sexual orientation, Rachel must decide between her stable relationship with Heck and her exhilarating new romance with Luce.

The film is about a slightly crazy botany professor Ducánek, who is so busy with his scientific experiments that he has completely forgotten that he is married. Neither his housekeeper Veronika nor his friend Potužník knew about the existence of his capricious wife, the operetta diva Lucy. However, when his wife returns home after seven years in remorse, Ducánek takes a complicated action to elegantly get rid of his wife...

A pair of circus clowns, played by Vlasta Burian and Jaroslav Marvan, take in an abandoned child and care for them even when they have to make a living as street musicians. The grateful foundling loves his adoptive parents even in adulthood, when he struggles with both love and stolen loot that accidentally falls into their laps. However, the result is only a crudely sentimental comedy that is considered one of the weakest works of the king of comedians, although he also participated in the direction.