Pure Comedy

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

Martin Scorsese’s electrifying concert documentary captures The Rolling Stones live at New York’s Beacon Theatre during their A Bigger Bang tour. Filmed over two nights in 2006 with an all-star team of cinematographers, the film combines dynamic performances with archival footage and rare glimpses behind the scenes, offering a vibrant portrait of the band’s enduring energy and legacy.

Sleaford Mods - Invisible Britain shows the most exciting and uncompromising British band in years sticking two fingers up to the zeitgeist and articulating the rage and desperation of those without a voice in austerity Britain. The film follows Sleaford Mods on a tour of the UK in the run up to the 2015 General Election, visiting the neglected, broken down and boarded up parts of the country that many would prefer to ignore. Part band doc, part look at the state of the nation, the documentary features individuals and communities attempting to find hope among the ruins, against a blistering soundtrack by Sleaford Mods.

The post-70’s explosion of independent music in America has many traceable roots, each with a compelling story. One of its most significant has never been told until now. Drawing on never-before-seen archival footage, in-depth-interviews with musicians and producers, and a mighty soundtrack, THE SMART STUDIOS STORY reveals the pivotal Midwest link to the global rise of 1990's Alternative Rock and the unassuming Madison, Wisconsin recording studio at its center. If you’ve ever been touched by the music of Nirvana, Smashing Pumpkins, Garbage, L7 or their peers, you’ve been touched by the music created at Smart Studios, the legendary recording facility founded by Butch Vig and Steve Marker.

"This video cassette contains a recording of a live performance by TG at Oundle School. The audience, apart one or two members of the staff, was composed completely of school boys between about 8 and 18. In addition to the single camera recording of the gig, certain visual information from the files of Industrial Records Ltd. has been included. Like the TG sound itself, the content and quality of this recording cannot and should not be compared with conventional commercial recordings."