

On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
Director: Claude Lelouch
Writers: Claude Lelouch
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Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.

Documentary that reconstructs the professional life of the dancer through the thread of his own voice. A work that travels to the fundamental landscapes of the personal history of Gades with unpublished documents and the testimony of those who shared with him many pages of the book of his life and the history of Spanish dance in recent decades.

This documentary tells the story of the brilliant Italian polymath, artist, sculptor, painter, poet, musician, writer, philosopher, scientist, botanist, geologist, cartographer, mathematician, anatomist, paleontologist, architect, urban planner, engineer, and inventor. The legacy of the brilliant Leonardo (1452-1519) to the world came in many forms: in the breathtaking beauty of The Last Supper and The Mona Lisa; in his rich collection of engravings; and in his notes on original thoughts on astronomy, biology, and physiology.

A pro-Republican propaganda documentary made during the Spanish Civil War. It reports on the demonstration held in Barcelona on December 27, 1937 to commemorate the capture of Teruel by the Republican forces.

In the spring of 1974, a camera team from Studio H&S succeeded against the explicit orders of the Junta’s Chancellery, entered into two large concentration camps in the north of the country - Chacabuco and Pisagua - leaving with filmed sequences and sound recordings.
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