The story of Isabelle Caro, Oliviero Toscani's NO-Anorexia model who rose to fame after his campaign. Diving through different passages of time, with the aid of family photos as well as video diaries left behind, we see a kaleidoscope of Isabelle's life and the world that surrounded her.
Director: Kiki Allgeier
Writers: Kiki Allgeier
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Diane Israel, a former world-class triathlete, becomes a psychotherapist after battling anorexia. She shares her story while interviewing champion athletes, body builders and models about self-image.
No Numbers is a documentary that looks at the general sense of "dis-ease" in our society and the increasing normalcy of hating ourselves. Three women speak out, sharing their stories of recovery from anorexia and bulimia. In telling their stories through the creative medium of film they rediscover values in life that move beyond inches, weight, and other measures that society too often champions as benchmarks for success. Though the issues raised in No Numbers stem from individual stories, they are inescapably connected to society and thus to the community as a whole. No Numbers focuses on healing that recognizes community and creativity as integral players in recovery. Finding identity beyond measures isn't just about recovery from eating disorders, it's about re-discovering the fullness of our lives.
An independent feature-length documentary about women, food, fat, and dieting.
"As far back as I can remember I've never been hungry". That's how begins the autobiographical story of a man - the movie maker himself - who reports both the anorexia nervosa that he went through as a child, then as a teenager, and the difficult relationship that, as an adult, he's been sustaining with foodstuff, or with the mere act of ingesting solid food.
Based on 'Frank Kafka"s Metamorphose story, the documentary presents 2 metamorphosis of the present society: anorexia, as an disruption of our self-perception; depression, as an isolating illness ; and physically handicapped conditions, as mobility problems.
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