A Man Like Eva

A fictionalised exploration of Beethoven's life in his final days working on his Ninth Symphony. It is 1824. Beethoven is racing to finish his new symphony. However, it has been years since his last success and he is plagued by deafness, loneliness and personal trauma. A copyist is urgently needed to help the composer. A fictional character is introduced in the form of a young conservatory student and aspiring composer named Anna Holtz. The mercurial Beethoven is skeptical that a woman might become involved in his masterpiece but slowly comes to trust in Anna's assistance and in the end becomes quite fond of her. By the time the piece is performed, her presence in his life is an absolute necessity. Her deep understanding of his work is such that she even corrects mistakes he has made, while her passionate personality opens a door into his private world.

This is a lonely New Year's Eve for Hank Williams as he spends it en route to a huge New Years Day concert in Ohio. Hank Williams died that night on the road. A fictional biography is shown in flashback.

Rise and fall of Jari Sarasvuo, as he transforms from a media person to business training guru during the crazy years of the 1990s and 2000s, just before the financial crash.

Henry Irving is dead. Join Irving’s restless spirit as he tells the story of how he transformed himself from a stuttering, spindly country boy into the most formidable actor of the nineteenth century. It is a story of a man who petrified London with his Gothic portrayals of mad monarchs, guilt-stricken murderers and the devil himself. A story of a man who could never escape his monsters – even in death. A filmed version of the live one-man stage play by James Swanton.

A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. A Life in Suitcases condenses the six-hour trilogy into a single two-hour feature, and in doing so, accentuates the project as a filmic essay in multiple narratives, listings, sidebars, footnotes, commentaries and anecdotes; a project for an Information Age ready to understand that there never is a phenomenon called History, there can only be Historians, gatekeepers to vested interests.