Stan & Ollie

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

James Wynn wants to ask his deceased father questions about the Family Business. He invents a device that gives him the ability to go back in time to 1985. However, when he arrives, there's a problem.

The conflict between Dole Food Company and Swedish filmmaker Fredrik Gertten unfolds dramatically in the documentary "BIG BOYS GONE BANANAS!" as the corporation attempts to suppress Gertten's earlier film, "BANANAS!"—chronicling Nicaraguan workers' lawsuit against Dole. Initially selected for the 2009 Los Angeles Film Festival, "BANANAS!" was abruptly removed from competition, followed by a negative article in the Los Angeles Business Journal and legal threats from Dole's attorneys. Gertten captures this saga of corporate intimidation, media manipulation, and legal challenges in his documentary, showcasing the struggles documentary filmmakers face and highlighting the threat to freedom of speech posed by powerful corporations protecting their reputations.

Lewis Tater writes Wild West dime novels and dreams of actually becoming a cowboy. When he goes west to find his dream he finds himself in possession of the loot box of two crooks who tried to rob him.

On a particularly busy day at a suburban Ohio fast food restaurant, manager Sandra receives a phone call from a police officer saying that an employee has stolen money from a customer.