Eaglewalk

Dorothy’s a film director and a bit of a loser. One night, after a few beers, she lets loose on her script when a call from her producer kills her buzz: enough with the queer comedies, it’s time to start making mainstream films. To avoid sinking to the deepest depths of despair, Dorothy seeks comfort in her favorite TV show "Romy the Vampire Slayer". Unfortunately, her own demons show up.

A year has passed since the death of my mother and two of my sisters.

A masked man in a suit gains access to an apartment; secretly, systematically and silently kills everyone present in a bestial way. Unnoticed, he leaves the scene. On a weekend trip some time later, Samantha and her friends realize that this incident was probably not the only one, because the culprit has left a trail of horror. Without further ado, they decide to do some research on the matter themselves, without realizing what they are going to do for a chain reaction. A horrible horror trip begins, because someone plays a deadly game ... Do you trust your friends?

The story of a peasant family in Switzerland in the eighteenth century. The father plunges his family out of jealousy into ruin. The events are hardly noticed by the village population and so he can steal clean from the affair. Nevertheless, his crimes do not go unpunished.

Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.