Pikkupojat

Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.

Uuno Turhapuro is a lazy man who abhors manual labor, but has the ability to talk himself out of any sticky situation, usually with his long-suffering wife. In this, his first feature film appearance, Uuno embarrasses his wife in public, tricks his best friend, accidentally goes on a diet, and becomes a famous violinist.

Uuno moves in flight cargo to Helsinki for the search of a rich, beautiful wife. He buys elegant clothes for eight marks from an estate auction and in two weeks becomes the most pursued bachelor in town, charming all the women. He also starts as a waiter in Vaaleanpunainen sika (Pink Pig), which starts the first quarrels between him and his father-in-law.

Group of old friends gather in a summer villa to celebrate a surprise birthday party for Mitzi, who is the dramatic focal point of the group. The weekend starts ominously when Mitzi does not respond well to the surprise party. It turns out that Mitzi has just filed for divorce and has been looking forward to a peaceful weekend. The tense situation takes a new turn when Mitzi's best friend brings her new boyfriend for a visit, who happens to be a Swedish film star. Familiar surroundings and the old rituals get to the core of the group and make them forget their adulthood. Revelations, not meant to harm the balance, make them reassess their past as well as their present.

Inkeri, 75, has hit her husband on the head with a solid iron frying pan and is planning to bury him in their garden. Before facing the rest of her life in prison, there may yet be a moment left to really live. Inkeri makes her sisters Sylvi and Raili join her on a trip to the Koli National Park. Will Inkeri find in her that free young woman who desired a feminist revolution in the 70s?