Julius Caesar's Greatest Battle

When you listen to The Years, the debut studio recording from Urbanites, you're hearing a band in progress. They wanted to make The Years differently, and decided to record the album together, live, in the same space - Studio A of Electrical Audio in Chicago, Illinois. With the exception of limited overdubs, (vocals, drum ensembles and laptop atmospherics) each song represented one collective take, warmly captured to two inch analogue tape. This recording method embraced the mistake as much as the moment. They also chose to document the making of the record with a film, appropriately titled, 'You Can't Rewind The Years'. With a new understanding and years of progress to come, these longtime friends are making the music that they'd always hoped to. As they sing, in The Years' standout track Restless, "Not without trial, not without err - this brokenness is ours to share."

The eagerly anticipated wait is over, after 5 years since the release of her last album, Adele is back! Fans have applauded her return, by breaking the record for most viewed video in a single day, reaching an astounding 28.7M views in the first 24 hours. The British singer has knocked Taylor Swift off the record, previously holding most viewed video in a single day for her Bad Blood video which reached 20 million views. “Hello” has now been viewed nearly 89 million times on Vevo alone since the day of its release, and has already topped the iTunes charts in 85 countries. The success of this debut single has blown everyone away and the rest of her album will most likely follow suit. Through her own words, video and live performance this documentary takes an incredible look at the life and times of this truly amazing young artist.

A documentary that takes an in depth look at a government sanctioned art school in Cuba and its students. Interviews of various artists attending the school allow viewers a glimpse into their personal and professional lives.

A barefoot contessa, a screwed-up princess, an exquisite drunk, a bawdy aristocrat, a nightmare for puritanical America and the moguls of Metro-Goldwyn-Mayer, Ava Gardner never stopped loving those she loved. She turned women green and made men sweat. And rejected with all her force the bulwark of normality.

For a long time, in France, comedy was the preserve of men. Female roles were mostly secondary and corresponded to stereotypes such as the pretty doll, the funny but unattractive woman, or the troublesome, even cantankerous wife