

Narrated by Tina Sinatra, this TV compilation brings together memorable moments from Frank Sinatra’s career on television, in the studio and in concert through the fifties, sixties, seventies and eighties. Many of his best loved songs are featured including Fly Me To The Moon, Witchcraft, I’ve Got You Under My Skin, My Way, Strangers In The Night, That’s Life, The Lady Is A Tramp and many more.
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Shadow Realm is a compilation of two episodes planned for the short-lived Fox Network television series Night Visions. Each episode contained two stories and were originally hosted by musician/actor/writer Henry Rollins. The Sci-Fi Channel acquired the rights to broadcast the episodes, including the last three unaired episodes and strung two of them together as an anthology movie. Title sequences and end credits were changed and the Henry Rollins introductions were removed from the final product.

Lots of places connected through one object, the TV. In the beginning that’s just a coincidence, but as the rhythm of the music increases so does the connection.

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It had all the makings of a huge television success: a white-hot comic at the helm, a coveted primetime slot, and a pantheon of future comedy legends in the cast and crew. So why did The Dana Carvey Show—with a writers room and cast including then unknowns Steve Carell, Stephen Colbert, Louis C.K., Robert Smigel, Charlie Kaufman, and more— crash and burn so spectacularly? TOO FUNNY TO FAIL tells the hilarious true story of a crew of genius misfits who set out to make comedy history… and succeeded in a way they never intended.

The film chases a historical event when King Jungjo tried to replace hispersonal revenge on those who killed his father Sado, the Crown Prince, with agreat cause to build up a nation for its people, which eventually leads to remind the lessons of history that repeat permanently like a Mobius strip. The film seems to aim to introduce the uniqueness of Uigwe with a historical yet futuristic value as a World Heritage on the surface, but in fact, it pursues torestore audio-visually the immaterial thing that remains only as a record under the name of feast. Inside the device receiving images, there might have been desires to reproduce the world or to secularize the invisible from the beginning. Hungry TV will awaken the potential to visualize all the intangible via digitaltechnology. So to speak, there is digital technology, and it is followed by aquestion: How far the digital technology of 21st century would lead this deviceto?
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