In March 2014, Nazoranai, an experimental improvisation trio came together for their U.S. premiere, at the Big Ears festival in Knoxville, Tennessee. This documentary, part of Sam Stephenson and Ivan Weiss’s Big, Bent Ears: A Serial in Documentary Uncertainty series on The Paris Reviews, goes behind the scenes, spending time with members Stephen O'Malley, Oren Ambarchi, and Keiji Haino.
Director: Ivan Weiss, Sam Stephenson
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When Miley Stewart (aka pop-star Hannah Montana) gets too caught up in the superstar celebrity lifestyle, her dad decides it's time for a total change of scenery. But sweet niblets! Miley must trade in all the glitz and glamour of Hollywood for some ol' blue jeans on the family farm in Tennessee, and question if she can be both Miley Stewart and Hannah Montana.
The Edge of Possible: A Barkley Marathon Tale takes you deep inside the legendary Barkley Marathons, the world’s most elusive and punishing ultramarathon. Set in the unforgiving terrain of Frozen Head State Park, this film follows elite ultrarunner Harvey Lewis as he battles the course, his limits, and time itself. Halfway through, we meet Jasmin Paris, whose grit and endurance add another layer to this epic test of human resilience. With insights from race founder Lazarus Lake, past Barkley finisher John Kelly, Gary Robbins and others, this documentary is an unprecedented look at the fine line between ambition and impossibility.
A short musical film on the Old Harp tradition from East Tennessee, shot around a gathering in a church of the Smoky Mountains
The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).
In 1968 Roger Smith ate a peach during a break from work. When he was finished he took out a pocketknife and began carving the peach pit into a tiny pig. 43 years later the retired meter reader and cattle rancher from Culloeka, Tennessee, has carved hundreds of peach seeds into hummingbirds, stingrays, gospel choirs, entire villages, even a baseball stadium with more than 100 figures. "Given enough time," says Smith, "I don't think there is anything you can't make out of a peach seed."
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