

This chilling and provocative faux home movie presents the story of three dissidents and their plan to commit a revolutionary act on film. Bicât and scriptwriter Howard Brenton explore the consequences and co-option of political violence with hard, grubby directness and a pre-punk, semi-nihilistic attack on bourgeois values.
Director: Tony Bicât
Writers: Howard Brenton
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Tinskani mourns the death of his friend and mentor, Salvador. His partner, Citlali, urges him to attend the funeral with her, but Tinskani is haunted by the photograph of his friend's corpse. He'd rather wander through the town’s carnival, camera in hand, seeking to replace that ghostly portrait with new ones.

Like every day Delhi Street life, everyone running late for office and mentally drained, an office going man gets stuck in a never-ending traffic jam that feels uncomfortably close to his own messy life. As drivers shout and blame each other, the city quietly fills with SMOG—everyone contributing, no one owning it. In a small but telling moment of clarity, when we are entangled in our egos leading to a dead end, a simple ignored choice might give way to an infinite change.

A film crew putting together a documentary on an abandoned insane asylum finally get permission to enter the building. Once they get there, they find themselves trapped, plagued by visions of the patients who were once treated there by a religious zealot with archaic methods of therapy.

Tasos, an ex-convict, is feeling responsible for his friend's accident at their workplace, a slaughterhouse. Kiki, a waitress at the local tavern falls once again victim to sexual harassment. When they both find themselves under extreme pressure, the eruption is unavoidable and the consequences are imminent.

A 17-year-old struggling to find intimacy at home or at school seeks it through a gay hookup app.
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