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This chilling and provocative faux home movie presents the story of three dissidents and their plan to commit a revolutionary act on film. Bicât and scriptwriter Howard Brenton explore the consequences and co-option of political violence with hard, grubby directness and a pre-punk, semi-nihilistic attack on bourgeois values.
Director: Tony Bicât
Writers: Howard Brenton
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A young boy, Bjørn, discovers on his 17th birthday that his problems with the girls might not be self-inflicted.
Tells the story of a son’s journey named Adrian, to search for his father’s spirit to complete all his life affairs. Adrian is assisted by Dharma a psychic who helps spirits to meet with someone they want to meet before their 40th day of departure. Adrian then meets with a spirit named Karjo who was on the bus looking for his family. Adrian must meet his father before the 40th day of his departure.
Scharnhorst, who said that the army should march at the forefront of progress, is one of the NVA's role models. The film uses historical material to cover the years 1806 to 1813, the Battle of Jena and Auerstädt and the Battle of Leipzig.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
A boys first weekend with the father after the divorce of his parents. Together with his friends, he makes a plan to turn that weekend into a horror trip, to punish his father. But then everything changes
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