

This chilling and provocative faux home movie presents the story of three dissidents and their plan to commit a revolutionary act on film. Bicât and scriptwriter Howard Brenton explore the consequences and co-option of political violence with hard, grubby directness and a pre-punk, semi-nihilistic attack on bourgeois values.
Director: Tony Bicât
Writers: Howard Brenton

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Cremaster 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, Cremaster 5 represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.

When a couple fights, their daughter turns to a new toy for comfort

On the evening of her 14th birthday, Beatrice tumbles in her older sister's world. For the first time, she is confronted with Fanny's reality. Having often been excluded, Beatrice's social life is non-existent. Therefor, she follows her older sister's way of life, which is to use her body as a way of being in control in this harsh world. Having grew up in a hyper-sexualities world with no good role models, the girls try the best they can to carry on from childhood to adulthood. Together, on this one night, they will understand that they can only rely on themselves and hope for a better tomorrow.

2:43 a.m. An empty room. An unexpected calling.

A fake documentary about the sex lives of teenage girls.
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