

When Rumpelstiltskin destroys the Magic Mirror and escapes to the modern world, the four princesses of "Once Upon a Time"-Cinderella, Sleeping Beauty, Snow White, and Rapunzel-are sucked through the portal too. Well-trained and endowed with magical powers, the four women must fight Rumpelstiltskin and his army of thralls before he enslaves everyone on Earth.
Director: Jeremy M. Inman
Writers: Jeremy M. Inman
Gimly
The Asylum centuples down on their formula of ripping off of other movies in the hope of either a) cashing in on the success of better movies by making films that evoke similarities, or b) straight up...

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Desperate to save her own life, a miller's daughter makes a bargain with a strange elf-like character. When she cannot cover her debt she is faced with a challenge.

Amalindis, the first-born of the two royal twins, is dutiful and agrees to marry Prince Tanka. Zottelhaube, on the other hand, the second-born, does not feel connected to her nobility, but to the great outdoors and a wolf - and lives in the forest. Suddenly, three witches kidnap Amalindis, as the first-born can be a witch herself. The witches see this as a prerequisite for the eldest of them being able to rejuvenate herself in order to survive: she will slip into the body of Amalindis for the next solar eclipse! "Zottel" suspects that time is running out before this transformation. Reluctant to go with Tanka, who is determined to accompany her, she sets off on the dangerous journey to rescue her sister. She has no idea that she, of all people, will fall in love in the process. And she has no idea that it will soon be in question who is actually the first-born and therefore the one with powerful witchy abilities.

Two young officers, Saint-Avit and Morhange, get lost in the desert and find themselves prisoners of the beautiful Antinéa, queen of the city of Atlantis. Saint-Avit, blinded by his love for her, obeys her when she orders him to kill his comrade... With L’Atlantide, Pabst offers a psychoanalytic reading of Benoit’s novel, with a dominant female figure who enslaves her lovers before destroying them. The film’s fantasy dimension is disturbing, L’Atlantide bathes in a humid nightmare atmosphere, between the desperate search for a missing friend and the apparitions of an underworld lost in the desert. A long, discursive flashback suggests the Parisian origins of Antinéa, born from the marriage between Clémentine, a pretty, light-thighed French Cancan dancer, and an Arab prince seduced during a theatrical performance. But again, it's impossible to know whether these are the ramblings of an old alcoholic or the strange truth.

When Clara’s mother leaves her a mysterious gift, she embarks on a journey to four secret realms—where she discovers her greatest strength could change the world.
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