

A tough-guy cop pursues two drug runners across the city to bust a large syndicate. Very much an anti-hero, Mitchell often ignores the orders of his superiors and demonstrates disdain for by-the-book development work as well as normal social graces.
Director: Andrew V. McLaglen
Writers: Ian Kennedy Martin
Fnord
*** This review may contain spoilers *** A strange choice for Joel's final episode of MST3K, but it's hard to imagine what would be a more appropriate choice. Maybe one of the Russo-Finnish things ...

On his first day on the job as a narcotics officer, a rookie cop works with a rogue detective who isn't what he appears.

Zlatko Kovač, a provincial professor, gets the job in the big city's school, only to find out that his red-employment is not random. Professor Toth, the man he replaced, has died under the strange circumstances. Kovac meets a variety of strange people in his school's collective, and it was not long before they came up with the new body. However, the police is unable to solve the case, but he takes the matter into his own hands and setting a trap for a murderer on a school manifestation.

Vijila who has to fight with adverse circumstances and is forced to face many tragic moments in her life. Devarajan supports her financially and even makes her the manager of his company. But later Vijila recognizes his true intentions.

Young Bundeswehr soldiers Tom and Charly are stationed in Kosovo with the KFOR peacekeeping force. Their mission is to secure peace. Although the brutal war between the enemy Serbs and Albanians is officially over, the hatred between people continues to smoulder. When Tom and Charly rescue the young Serbian Mirjana from the fatal shot of the young sniper Durcan, they get caught between all fronts. They lose their professional distance due to the resulting closeness to Mirjana - who has to learn that her father was a war criminal - but also to Durcan - whose entire family was wiped out. Soon they are entangled in a conflict about guilt, manipulation, love and revenge...

Coming from the London bourgeoisie, the Nosferat (this time, with the vampire taking on the role of the famous serial killer who raged in the London district of Whitechapel in 1888), reforms bourgeois morality by reducing its puritanical contradictions. He executes prostitutes “in the name of Virtue, Morality and order”, as a result of a repressive education he received, especially on the sexual level...
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