

The Sixth Year is an art world drama series in five episodes, which re-interprets the format of the TV series. Set in the New York art world, it stages the backstage and theatricalizes the social interactions and power games, the aspirations, passions, and everyday realities of the field. The screenplay is based on interviews with artists, curators, gallerists, collectors, and art advisors, whose opinions, anecdotes, and gossip it abstracts and extrapolates into a fictional narrative.
Director: Rick Alverson, Dustin Guy Defa, Loretta Fahrenholz, Nick Mauss, Ken Okiishi, Alex Ross Perry
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Satoshi returns to Taketomi Island to take part in his grandmother's 97th birthday 'mandala' party, a special celebration that's unique to this island. Just as he arrives at her house, he learns that she has just passed away. The next day from his grandmother's diary, they discover a long kept secret...

A white man goes on trial for having raped a black woman.

Two people prove that it's who you are on the inside that matters more than what you're like on the outside.

Three stories by three directors, three journeys into the world of teenagers and countercultures. The stories are interlaced with each other. Characters with a small performance in one story will play a major part in one of the other two stories so we will learn more about them, on the other hand central characters appear again in the periphery of one of the other stories. It is done in a casual way, comparable with the situation in daily life when two friends are running into each other by chance. Petra and Nicole in their shrill world of brightness. Loafing around, bumming and teasing guys.

Set in the 1970's, MIGHTY FINE is the story of Joe Fine (Chazz Palminteri) a charismatic, high-spirited man, who relocates his family--wife Stella (Andie MacDowell), a Holocaust survivor, daughters Nathalie (Jodelle Ferland) and Maddie (Rainey Qualley)--from Brooklyn to New Orleans, in search of a better life. Unfortunately, Joe's spending spree is wildly out of touch with reality, as his apparel business is teetering on the brink of collapse, a fact he refuses to accept. Written and directed by Debbie Goodstein, MIGHTY FINE is told from the perspective of an adult Nathalie remembering the events of her youth, and is inspired by Goodstein's memories of her own father. MIGHTY FINE ultimately shows how coming to terms with the past without judgment is the most fruitful way to move toward the future.
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