

An in depth description of the lives of Myra Hindley and Ian Brady, otherwise known as the Moors Murderers. It focuses on their relationship and the series of events that led to them murdering 5 children. A drama-documentary series about the life and crimes of Moors Murderer Myra Hindley. Exploring her turbulent childhood and relationship with Ian Brady.
Director: Asif Hasan, Colin Stone, Robin Anderson
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Just one year ago, citizens joined together at Place de la République in Paris to demonstrate against labor reforms, the El Khomri law. This rapidly became an opportunity to invent another way of handling politics. It was the beginning of Nuit Debout. The film follows closely this social movement's inner core, a new kind of citizen's and democratic parliament, without representatives or leaders, which attempts to allow everyone the chance to speak. How do we speak in unison without speaking with a single voice?

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

Nicholas Vreeland walked away from a worldly life of privilege to become a Tibetan Buddhist monk. Grandson of legendary Vogue editor Diana Vreeland and apprentice of photographer Irving Penn, Nicholas' life changed drastically upon meeting one of the Dalai Lama's teachers. Soon thereafter, he gave up his glamorous life to live in a monastery in India, ultimately returning to his roots in photography to help his fellow monks rebuild their monastery.

While in San Francisco for the promotion of her last film in October 1967, Agnès Varda, tipped by her friend Tom Luddy, gets to know a relative she had never heard of before, Jean Varda, nicknamed "Yanco". This hitherto unknown uncle lives on a boat in Sausalito, is a painter, has adopted a hippie lifestyle and loves life. The meeting is a very happy one.
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