

Yasmine, a high school student from Brunei, fed up with studying and her strict father, decides to learn silat, a martial art practiced in Southeast Asia, after a boy displays his own knowledge of silat in order to impress her.
Director: Siti Kamaluddin
Writers: Salman Aristo, Siti Kamaluddin
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Clichés aplenty, though <em>'Yasmine'</em> is a good film. The run time could've been shaved a bit and the characters could've been written better, but taking everything into account I'd say this i...

A working artist begins to lose her mind while stuck at home with an illness.

The human being is a sick animal; its natural impulses and drive for self-development have been imprisoned by reason and culture. Lou and Martin, two adolescents living on an island, attempt to escape the suffocation of overprotective parents. Will they succeed in building trust in the midst of forces that drive them apart?

Fyodor Dostoyevsky and his wife Anna travel to Europe for their honeymoon and end up staying in a health resort in Switzerland, only to return to Russia after four years. Fyedya can’t shake his roulette habit and keeps losing their money. His wife accepts this fate since he keeps assuring her that it’s all for inspiration and soon he shall write his to-be masterpiece, 'The Idiot'.

Making Waves is the story of Cella (Jacqueline Blom) and her 71-year-old mother Johanna (Kitty Courbois). Life smiles upon Cella. Happily divorced, having two children and a successful job as a presenter at a local station, for which she interviews people every morning who take the ferry across the IJ river. In her enthusiasm, Cella resembles her mother, once a celebrated violinist, but the similarity also causes friction between the two women. Just when Cella meets a new love, her father's sudden death puts her life on a different track. Johanna increasingly muddles past and present and brings back fragments of memories that point to a painful secret she carries on her back. Cella tries to dig up the truth.

Iris, a 28-year-old studentin a big city, recently left by her boyfriend and too poor to pay her rent, begins to work for a strange old man. He wants Iris to precisely describe the trivial belongings of a dead woman, packed in white boxes, to keep the memory of the woman alive. Iris is disgusted and fascinated at the same time; reflecting on an invisible person's traces, she slowly becomes aware of her own wounds.
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