

A series of vignettes are tied together by a story involving a carnivorous entity which masquerades as a bedcover. The creature absorbs evil and greedy people into its body, but leaves the innocent unharmed.
Director: Graham Driscoll
Writers: Laird Stuart
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An architect, visiting an English country house, realizes the other guests are familiar from his recurring nightmare. When they share their tales of the supernatural, he is filled with a growing dread.

The Black Cat intensifies the series’ horror bent: this chapter zeroes in on the violent, disturbing aspects of Poe’s “The Black Cat,” interpreted by three directors with a more graphic, visceral approach than prior entries.

When the app is launched, a ghost appears. Developed by four young adults, the app becomes the centerpiece of a livestream where they venture into a supposedly haunted mountain to prove its authenticity—only to meet a grim fate.

Four interwoven stories that occur on Halloween: an everyday high school principal has a secret life as a serial killer; a college virgin might have just met the one guy for her; a group of teenagers pull a mean prank, and a bitter old recluse receives an uninvited guest.

Ryoo Seungwan, Han Jiseung, Kim Taeyong got together to make a 3D omnibus film. It's a 3D vision of terrible realities never far from popular culture today. The stages of its episodes are different with one another. Tragedies and fantasies unfold in the city, the woods, and the future. The 3D technique is used in scenes where the characters have fancies to get over suffering in reality. It's interesting to watch 3D scenes directed by representative directors of Korea, and it's noteworthy in terms of industry that this try displays the possibilities and realities of 3D film in Korea, as well. It's the new vision of KAFA's project, KAFA+
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