Mágnás Miska

At a tennis club in rural Germany, preparations for the summer party are led by Heribert. When a separate grill is suggested for Erol, the club's only Muslim member, tensions flare. What begins as a simple discussion quickly turns into a debate about societal and personal conflicts, threatening to tear the club apart.

When cocky military lawyer Lt. Daniel Kaffee and his co-counsel, Lt. Cmdr. JoAnne Galloway, are assigned to a murder case, they uncover a hazing ritual that could implicate high-ranking officials such as shady Col. Nathan Jessep.

The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.

In 1915, Elizabeth has fallen in love with Horace Robedaux, a young man her father condemns as a "wild boy." No matter how strict and protective, her parents cannot deter their daughter's growing independence.

With the help of his assistant Anja, Ottocaro Weiss intends to put the plague on stage: circumstances beyond his control and a lack of fresh talent have forced him to close down his flea circus. For Weiss, the plague means the «extinction of everything that makes life miserable and low and freedom along with it. Unbeknownst to him, he has won the support of a patron who is of the exact opposite opinion: for Johannes Wagner, the plague is an organising principle, and, aided by his agent Moosbrugger, he is able to smuggle a new number onto the programme. Whereas Ottocaro Weiss means to represent the plague theatrically, what appears on stage is the scientific reality of the rat-borne infestation.