The Green Cockatoo

After being wrongfully convicted for stealing a pair of shoes, Stanley Yelnats is sent away to Camp Green Lake, a boys detention facility where inmates are forced to dig holes all day in the hot desert sun as a form of character building. But Stanley and the other boys start to unravel a mystery, linked with the camps tough-as-nails warden —and possibly Stanley’s family itself.

In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.

As a young and naive recruit in Vietnam, Chris Taylor faces a moral crisis when confronted with the horrors of war and the duality of man.

In Gossette (1923), Dulac experimented with and designed a number of special lenses and prisms to produce a variety of effects and multiply the expressive means which translate the characters' visions and mental states. She also reversed class and gender roles, as she made the female character Gossette come to the aid of Phillipe de Savières, falsely accused of murder, in order to save his name.

Salem, Massachusetts. A small town—with no clear governing body—became embroiled in a scandal that forever stands as one of the darkest chapters in American history. For those accused of witchcraft by their neighbors and friends, there was little chance of clearing their names; the mass paranoia that ravaged through the community took the lives of 19 innocent men and women.