

Along a rocky, barren coastline, Jesus begins teaching, primarily using parables. He attracts disciples; he's stern, brusque, and demanding. His parables often take on the powers that be, so he and his teachings come to the attention of the Pharisees, the chief priests, and elders. They conspire to have him arrested, beaten, tried, and crucified, just as he prophesied to his followers.
Director: Pier Paolo Pasolini
Writers: Pier Paolo Pasolini
CinemaSerf
This is a breathtaking piece of cinema. I haven't read the text for over forty years, so I cannot swear to the accuracy with which Pasolini reflects the actual gospel, but what is immediately striking...

James Stewart plays aeronautical engineer Theodore Honey, the quintessential absent-minded professor: eccentric, forgetful, but brilliant. His studies show that the aircraft being manufactured by his employer has a subtle but deadly design flaw that manifests itself only after the aircraft has flown a certain number of hours. En route to a crash site to prove his theory, Honey discovers that he is aboard a plane rapidly approaching his predicted deadline.

David Marshall Williams is sent to a prison farm where he works in the tool shop and eventually develops the precursor of the famous M-1 Carbine automatic rifle used in World War II.

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Inspired by the life of Blaze Foley, the unsung songwriting legend of the Texas outlaw country movement that spawned the likes of Merle Haggard and Willie Nelson. The film weaves together three periods in Blaze's life, exploring his love affair with Sybil Rosen; his last, dark night on Earth; and the impact his songs and his death had on his fans, friends, and foes.

Indolent aristocrat Tony employs competent Barrett as his manservant and all seems to be going well until Barrett persuades Tony to hire his sister as a live-in maid.
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