
Good Morning, Karachi is the story of a young girl (Amna Ilyas) who wants to be a model while struggling towards her dream against the backdrop of the Benazir Bhutto assassination.
Director: Sabiha Sumar
Writers: Sabiha Sumar, Malia Scotch Marmo, Samhita Arni
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Amna Ilyas is the young "Rafina" who has dreams of becoming a model in her home city, but who faces quite a few challenges from her sceptical family and her fiancé who thinks she ought to be grateful ...

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Nogreh is a young Afghan woman living with her father and her sister-in-law, Leylomah, whose husband, Akhtar, is missing. Beyond the issue of Akhtar, Leylomah is most concerned with how to feed her baby. She cannot provide milk for her baby as her own hunger is preventing her from lactating. Nogreh, however, aspires toward a life in a western styled democracy. Although the Taliban are no longer in power in Afghanistan, traditional forces are still active in the country. Nogreh often displays signs of rebellion, such as wearing a pair of white pumps instead of the traditional slipper beneath her burqa. But mostly, Nogreh wants to be educated. Without her father's knowledge, Nogreh is attending a secular girls school. Ultimately, she wants to become President of Afghanistan. With the help of a Pakistani refugee who likes her as a woman, Nogreh tries to understand exactly what forces led to current world leaders being elected, those forces which she wants to emulate.

A young woman in pre-revolution Iran is caught between the traditional values of her small village and her own yearnings for independence and individuality. Her persistent refusal of marriage proposals coupled with her unseemly removal of her hood causes her family to seek the help of an exorcist, convinced she must be possessed by evil spirits. Made surreptitiously in 1977 just as the Ayatollah Khomeini regime was coming to power, a rough cut of ‘The Sealed Soil” was smuggled out of Iran by the director in a false-bottomed suitcase, and taken to the U.S., where she completed her final cut. The film has never been seen in Iran.
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