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Mirjana is returning to Croatia from Germany where she spent some time as a refugee. She is pregnant. Now, when the war in Croatia is over and her visa expired, Mirjana is coming back to her family in a remote and devastated village. Her family is trying to move on with their lives after the war. They rebuild their house and they are trying to find a new husband for their pregnant daughter. Being patriarchal and devoted to their tradition they believe a woman needs to have a husband and a child has to have a father. Of course, the child and the father have to be of the same nationality. Problems start when Mirjana gives a birth to a boy with Asian features. The family and the neighbors are shocked. Mirjana¡¦s rigid father refuses to accept a grandchild of a different nationality, not to mention the one of a different race! Mirjana and her son are forced to leave. She returns only when her father falls seriously ill and requests to see his grandson before he dies.
Director: Ognjen Sviličić
Writers: Ognjen Sviličić
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Tiana is lonely, pregnant, and discontented, but she plods through a weary day after deciding to sacrifice her husband's traditional beliefs for the safe delivery of her baby. The self-doubt, trauma, and surreality that Tiana expresses are a consequence of an experience common to many Black birthing women.
By a little bay near Marseille lies a picturesque villa owned by an old man. His three children have gathered by his side for his last days. It’s time for them to weigh up what they have inherited of their father’s ideals and the community spirit he created in this magical place. The arrival, at a nearby cove, of a group of boat people will throw these moments of reflection into turmoil.
A young interracial couple has just moved into their California dream home when they become the target of their next-door neighbor, who disapproves of their relationship. A tightly wound LAPD officer has appointed himself the watchdog of the neighborhood. His nightly foot patrols and overly watchful eyes bring comfort to some, but he becomes increasingly aggressive to the newlyweds. These persistent intrusions into their lives cause the couple to fight back.
Madeline has become an integral part of a prestigious physical theater troupe. When the workshop's ambitious director pushes the teenager to weave her rich interior world and troubled history with her mother into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women's lives.
In the near future: Europe is in chaos. Right-wing extremists have taken power in many countries. The democratic state that once was Germany has become a totalitarian system that persecutes dissenters, Muslims and homosexuals. Jan Schneider has stood as a lawyer on the side of dispossessed victims. When he learns that the regime wants to jail him again, he decides to flee with his family. His goal is the South African Union, which enjoys political and economic stability after an economic boom. A freighter is to bring him, his wife Sarah and the two children Nora and Nick together with other refugees to Cape Town, but the tugs abandon their passengers in much too small boats off the coast of Namibia. On rough seas, it comes to disaster, the little Nick is lost, and no one knows if he could reach the shore...
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