Project Alien

Strange phenomena surface around the globe. The skies ignite. Terror races through the world's major cities. As these extraordinary events unfold, it becomes increasingly clear that a force of incredible magnitude has arrived. Its mission: total annihilation over the Fourth of July weekend. The last hope to stop the destruction is an unlikely group of people united by fate and unimaginable circumstances.

When they find one another by chance in the middle of the woods, old friends Zach and Ellyn seem smiled-upon by the gods of summer, fated for a carefree season ranging across hills, lakes and forests. Gradually, however, their charmed reunion is distorted by an unseen but ever-expanding presence. Are they hidden in a quiet glade after all, or perched on the tip of the universe, buffeted by cosmic winds? Directed, shot, and edited by Ian Clark, A Morning Light finds a new mode for the sci-fi thriller, one of insomniac watchfulness. With its eerily precise photography and uncanny soundscape that pulses, rumbles, and roars behind sedate scenery, it poses the otherworldly as something very near, something embedded in our own eyes and ears. — Jon Kieran, New Orleans Film Festival

A man sets out to photograph UFOs in a scientifically verifiable manner only to get more than he bargained for. Shot by acclaimed visual effects master Douglas Trumbull in a new process called MAGI, 4K 3D at 120 frames per second, to create a powerful sense of immersion previously unseen in cinema.

An alien and a robot land on Earth after World War II and tell mankind to be peaceful or face destruction.

After an encounter with UFOs, an electricity linesman feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.