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Peter Nichols adapted his own hit play to the screen, based on his experiences in hospitals. A riotous black comedy that's as timely today as ever, it contrasts the appalling conditions in a overcrowded London hospital with a soap opera playing on the televisions there. In an ingenious touch, the same actors appear in the "real" story as well as the "TV" one, thus blurring the distinctions even further. Jack Gould directs such outstanding British actors as Lynn Redgrave, Colin Blakely, Eleanor Bron, Jim Dale, Donald Sinden, Mervyn Johns, and, in only his second film, Bob Hoskins. The renowned Carl Davis composed the score.
Director: Jack Gold
Writers: Peter Nichols
CinemaSerf
I think this must have worked better on stage, for once it hits the big screen it really only comes across as a slightly more earnest, lightly politically charged, “Carry On” or “Doctor at…”, concept ...
A comedy set in a weird hospital populated by spies, mental people, an exorcist, you name it! Plus the world's most beautiful nurse. Together they track down a dangerous terrorist who is trying to blow up the city. The future of the city is in their hands.
When Ambrosia, the pastor's cook, leaves the village for a while to give birth to the child she is expecting from the pastor in a secluded place, the buxom and love-struck Irma takes her place in the parish. And soon she too is looking forward to the joys of motherhood. But who is the father of the child? The curate she seduced, or even the pastor himself...?
An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.
When an Italian man comes out of the closet, it affects both his life and his crazy family.
Jake is a writer. He is married to Maggie, but his marriage is in trouble. He cannot stop thinking about other women in his life, characters he invents conversations with. He is constantly talking to: his deceased wife Julie, his daughter Molly, his sister Karen, and his psychiatrist Edith. All he does is have imaginary conversations with real people that are at the moment out of his life. Maggie cannot stand his mind wandering off all the time and decides to separate for six months and at the end of six months they will decide whether or not to remain together. Jake has a few girl friends, but spends the six months, while waiting for Maggie, only talking to these imaginary people, and a few times to real people.
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