Finished shooting in 1962, the movie’s cast was almost the same as its crew. With a bunch of experimental symbols such as skinny human body, clock and goat flow from one scene to another, the film explores the question of whether a man is a prisoner of time.
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Director(s): Shūji Terayama
Writer(s): Shūji Terayama
Producer(s): Eiko Kujo
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