

A young wannabe musician discovers he has bitten off more than he can chew when he joins an eccentric pop band led by the mysterious and enigmatic Frank.
Director: Lenny Abrahamson
Writers: Jon Ronson, Peter Straughan











Kenneth Axel Carlsson
Where to start with this movie, with **Frank**? Should I start with describing the man inside the giant head, or maybe the very head itself? I could also try and describe the plot, or maybe the music,...

A group of young friends on a camping trip, deep in the South African countryside wake up to discover they have all swapped bodies.

In the small town of Eden, Tennessee, a neglected and naive teenage girl named Clara Banks has made a habit of deceiving people online for gifts, a gambit known as "catfishing." She thinks it's all fun and games until she hooks the attention of the wrong person. A short time later, events set into motion spiral out of control as someone begins stalking Clara and her friends. As the consequences of her actions return to haunt her, twisted messages start showing up at Clara's home, causing her to fear for her life. Will she ever feel safe again now that the evil has come knocking?

A young musician takes a beautiful tattoo artist on a ride in a stolen classic car.

The Metaphor That Became a Room is a psychological drama exploring identity, communication, and the struggle for self-understanding. Divided into two parts, the film first delves into the protagonist’s frustration with the urge to persuade others, realizing that over-explaining only distorts meaning. A note from the past echoes a hard truth: “Someone’s unwillingness to understand will always outweigh your effort.” In A Symphony of Unfinished Selves, the narrative shifts inward, revealing the protagonist’s fractured identity. Trapped in a metaphorical room built from illusions and contradictions, he reflects on his dual persona—the social facade and the hidden, lost self. The film questions how we see ourselves versus how others see us and whether true self-recognition is possible. Through minimalist dialogue and layered symbolism, the film captures the silent tension between who we are, who we appear to be, and who we long to become.

In 1917, the First World War is raging. Julien is from Luxemburg, so instead of having to go to war he studies piano in Paris. One day his friend Jacques, also a musician and now a fighter pilot on the front, invites him to spend a few days in his family's empty house in Bray. The housekeeper, a beautiful stoic woman lets Julien in, but his friend is late and he is obliged to wait. In the meantime, he starts reminiscing of the pre-war days spent with his friend and Jacques' girlfriend Odile.
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