

An examination of "The Public Enemy" (1931) by film historians and critics.
Director: Karen Hillhouse, John Rust
No Reviews Available

Portrait of Debbie Harry, co-founder of Blondie, punk rock pioneer, that was one of the few feminine icon in rock music at that time.

An analysis of Quentin Dupieux's film "Incredible But True" by film critic Elena Lazic.

A retrospective of the work of the late actor Warren Oates, with clips from his films and interviews with cast and crew members who worked with him.

Follows the waves of literary, political, and cultural history as charted by the The New York Review of Books, America’s leading journal of ideas for over 50 years. Provocative, idiosyncratic and incendiary, the film weaves rarely seen archival material, contributor interviews, excerpts from writings by such icons as James Baldwin, Gore Vidal, and Joan Didion along with original verité footage filmed in the Review’s West Village offices.

France is at the heart of Madonna's life. She is inspired by French culture and its values and has surrounded herself with French artists for many years. To celebrate the 40th anniversary of the Queen of Pop's career, this film revisits the close and unique bond between Madonna and France and features testimonials from close collaborators and French friends who have helped create her unique artistic universe: Maripol, Jean Paul Gaultier, Julien d'Ys, Nicolas Huchard, and Marion Motin. Today's artists such as Florence Foresti, Leïla Slimani, Victor Weinsanto and HollySiz talk about the influence of this emancipating figure, which extends far beyond music.
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