

Notorious stagecoach robber Rhiannon is unintentionally appointed as deputy when he saves the sheriff's life and must wear two hats between his new job that he enjoys and his old occupation that he misses.
Director: R.G. Springsteen
Writers: Dorrell McGowan, Stuart E. McGowan
No Reviews Available

While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.

A cowhand named Bob Blake visits with Sally Thompson and her kid-brother, Jimmy, on their hard-scrabble homestead adjoining the Steele Ranch where Bob works. He learns that their father just died, and he plans on seeing if he can make things a bit easier for them.

A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.

Also known as California Outpost, Old Los Angeles stars Bill Elliot in one of his expanded-budget Republic "specials." The film is set during the early statehood days of California, with Elliot keeping the peace and warding off plunderers and marauders. As always, Elliot is a "peaceable man"--until he beats the tar out of those who rile him. The problem with Elliot's more expensive Republic vehicles is that action invariably took a back seat to plot, romance, costumes and decor. Within a year of Old Los Angeles, Elliot started a more austere, less prettified and far superior western series.
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