

A lonely teenage boy, living isolated on an island, idolizes his distant father. Complications arise when his father brings home a young new wife, whom the boy falls for, and a recently released criminal, entangled in a web of complex relationships.
Director: Damiano Damiani
Writers: Enrico Ribulsi, Damiano Damiani, Ugo Liberatore
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Serap, who has been living in the darkest streets of Beyoglu, is a charming woman in her 20s. A beautiful woman's way of prostitution and prostitution living in the back streets of Beyoglu as a person intersects with him when a magical love begins. Hakan tries to take the pimp of Serap as a madman. The man who doesn't have the job can't do it. One day when Serap finds his lover Hakan in a scene he never thought possible, his whole life is deeply shaken. Serap will now be in a different life, running for different purposes.

Something otherworldly appears on Cary’s daily dog walk in the foothills of the Peak District: a giant stone Monolith, which he’s absolutely certain wasn’t there before. But when he takes his Wife Ellen, Son Dru and daughter-in-law Carmen up to see it, the stone has inexplicably vanished. Curiosity ignited, Cary’s on a quest to prove the stone’s existence - and his own sanity - to his family.

Ill-fated love set against the epic canvas of India's partition into Hindu Indian and Pakistan. Lajma, a beautiful school teacher with greying hair, leaves Pakistan for her childhood home in India. There she discovers that the home is in ruin, her aging aunt is half senile, and her cousin Gautam is bitter and defeated. Flashback to 1947 when India splits in two - a proud old Muslim man, along with his grieving daughter-in-law, take in a couple of impoverished Hindus, Chand and Bhagwati, into their home. Later, Chand's mute sister Lajjo arrives with her young daughter Lajma. Suffering from some unnamed past trauma, Lajjo is eventually sent to an asylum, leaving Lajma with her uncle. Lajma recalls her aborted relationship with the childhood friend and her inability to understand what her lover was going through, as well as her lover's inability to acknowledge a latent bisexuality. But the most difficult memory to deal with is that of her mother, brutalised during the riots.

Due to a returning hallucination, a woman in a developing crisis goes to her mother's office to share her baggage.

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