

Every family has its own fictions: why are they invented, what social values do they reflect and how do later generations interpret them? How is political identity formed - passed down, integrated or rejected - within one family? The tale traverses the Pale, the New World and back to the Old World.
Director: November Wanderin
Writers: November Wanderin
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An almost dialogueless, poetic impression of an insecure teenager’s dilemma. Alexander spends his first holiday alone in an old beach cabin. Longing for affection, but searching for his identity, he stays inside. From the cabin, he watches the people on the beach. On a diving board, in the middle of the sand, he spots someone who is making some dance moves. Hesitant at first, but increasingly uninhibited, Alexander mimics him, which yields a cautious dance duet at a safe distance. Will he dare to make the next move?

Constantly orbiting at 400 km (250 mi) above the earth, the ISS is perfectly situated to witness the beautiful streamers of green and red light emanating from the collision of highly charged solar wind particles with oxygen and nitrogen atoms in the earth's atmosphere. Centered about the northern (Aurora Borealis) and southern (Aurora Australis) poles the Auroras move in an almost hypnotic dance below the space station.

Jack longs to escape his monotonous routine, but obedience to society and fear of change leave him with more of the same: a busy, yet unfulfilled existence. In this off-kilter world, a group of extractors are targeting those who have neglected to truly live. Jack is next.

A short film by the United Jewish Appeal, directed by David Lowell Rich and starring Guy Madison, Felicia Farr and Agnes Moorehead, made by the core crew of many Columbia noirs, including cinematographer Burnett Guffey, art director Cary Odell, editor Al Clark, set decorator Frank Tuttle, and composer Morris Stoloff.

On the front lines of the Great War, nurse Simon repairs the broken faces of the soldiers every day with love letters, words from women that have the power to heal the wounds of these paper soldiers. Simon himself seems impervious to holes, uncreasable, untearable in his white coat. His secret is his war godmother, who occupies all his thoughts whenever he has a moment to breathe. But when death strikes where it is least expected, can words written on paper still erase the pain?
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