

Johanna has lost her savings book. Can the finder now withdraw the money? How secure is a savings book and what advantages does it offer the owner? What does the bank actually do with the money while it has it in safekeeping?
Director: Ulrich Fischer
Writers: Rudolf Nottebohm
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A famous actor realizes his day keeps on restarting for a strange reason to which he can not figure out.

A vintage nature film exploring the migratory pattern of a herd of wild creatures.

On the back staircases of a residential building, girls smoke hidden from their parents. They take off their clothes to prevent being denounced by the smell of smoke. Cora is 30 years old. She lives in the same building as the girls, and is stuck in an unhappy marriage. The woman catches the girls smoking. From then on, she begins her path towards freedom.

Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.

Set in Remies, France in 1941 during World War II, a Jewish man tries to escape Nazi persecution and a chance encounter with a woman sitting next to him on the train. Based on a true story.
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