

A documentary film crew follows director Ray Martin as he embarks on his 9th film shoot, starring real-life mobster Tony Clams in the lead role. Unfortunately for Ray, Tony Clams has his own agenda. Show business and reality collide as the film crew slowly realize they're trapped in a real life mob hit, and the only way out may be a body bag.
Director: Ray Martin
Writers: Ray Martin
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Hollywood comedian/actor Pauly Shore loses everything: his house, nobody in Hollywood wants to represent him, he moves back home with his mom and is now parking cars at the Comedy Store. Then one night when he's up in his mom's loft, a dead famous comedian appears who tells Pauly to kill himself cause he'll go down as a comedic genius who died before his time. Pauly then fakes his own death, and the media goes crazy.

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A group of ruthless Chicago mob enforcers are sent to Kansas City to settle things with the owner of a slaughterhouse who has taken money that is not his to keep.

A young director intent on making "the greatest color crime movie ever" can't seem to finish his script--he has a beginning and an end, but he can't quite figure out the middle. The daughter of his landlord, excited to have a real "movie person" living nearby, tries to help by putting him in touch with a man who wants to collaborate on a script--the strange "Dr. Jolly"

Marcus Kendrick finds himself at a crossroads when presented with the opportunity of a lifetime. He approaches a studio that find his screenplay promising, giving his idea the chance to be developed at the potential cost of his creative integrity. His decision is the basis of his future career. Will he allow his dreams to be sold?
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