

Eduardo, a wealthy banker who has a pastime for hiring young street hustlers to keep his bed warm, spots Miguel, an extremely handsome teen who has a penchant for women and motorcycles.
Director: Eloy de la Iglesia
Writers: Eloy de la Iglesia, Rafael Sánchez Campoy, Gonzalo Goicoechea
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A vibrant anthology of LGBTQ+ short films and music videos that delve into the complexities of youth, identity, and desire. This diverse collection showcases a range of cinematic voices—both emerging and established—exploring the exhilaration, vulnerability, and confusion of coming-of-age through stories that celebrate queer love, self-discovery, and the breaking of societal boundaries. Blending narrative shorts, experimental visuals, and music-driven pieces, the anthology offers an evocative, multifaceted portrait of innocence transformed.

A beautiful young man is riding a train when a suspicious man comes and snuggles up to him. A man who snuggles up to you even if you run away. Eventually, when he arrives at the station, the man gets off, but leaves a book. Thinking that the man might have forgotten it, he picks up the book. The book is "Gay Toybox". When he finally opens the book, the movie begins with an epilogue. The movie is an omnibus of three features. In other words, each book is an elaborate composition of one story of the gay world that is developed in that book.

Kyiv in 2022. A car races at breakneck speed through the city at dawn. Filmed from a subjective camera angle in a single unedited shot, this remale of Claude Lelouch's "C'était un rendez-vous" captures the emotions in a state of emergency caused by the war.

Two white-collar clerks setup a private radio program in Shanghai. An Otaku lady lives in isolation. As the random fates of individuals are linked and changed by the radiowave, love, in all possible forms, burgeons.

Marcos and his family work as ranch hands. While his father and brother handle the heavier tasks, Marcos stays home, close to his mother. Each one has their future laid out before them, yet Marcos bides his time waiting for Carnival, the one moment where he can let his true self out to shine. The sudden death of his father leaves his family in a very vulnerable situation. The ranch owner hounds them to go away, while Marcos’s mother pressures him to take over the work in the fields. Nicknamed Marilyn by the other teenagers in town, Marcos is a target for desire and discrimination.
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