Michelangelo: The Man Who Would Become God

Takarazuka Revue Star Troupe 1996-1997 production of the Viennese musical 'Elisabeth'

Alucard, a vampire resurrected in present-day New York, has achieved a “degenerative evolution” over the past 700 years. He no longer attacks people for blood, and is no longer afraid of crosses. He spends his days with his friend, Helsing XVI, a descendant of vampire researchers. Acting as Helsing’s ghost writer, he writes a fantasy romance novel about the events he witnessed in his past. One day, Alucard is dressed as a “vampire” at a Halloween costume party celebrating the publication of his book. There, he meets Lucy, a university student who dreams of becoming a dentist. As he gradually becomes more attracted to Lucy, his desire to become human grows. For a vampire with the gift of immortality, it is the equivalent of suicide.

Based on the manga The Rose of Versailles by Ikeda Riyoko.

Musical by the Takarazuka Revue. In modern day France, an exhibition is being held at the Palace of Versailles of the "Necklace of Marie Antoinette". The necklace had been used in a fraud case that marked a chapter in French history and later went missing. It has been reproduced using real diamonds. Fujiko has sneaked into Versailles, as has the gang of Lupin, Goemon, and Jigen - all with the intention of getting their hands on the necklace, which is valued at over 3 billion yen in today's money. But they bump into Inspector Zenigata. Lupin is the one who manages to foil Zenigata and grab the necklace. Yet the instant he lays hands on it, everyone is enveloped in a mysterious light. When they regain consciousness, they notice they have gone through a time slip to 1785, before the French Revolution when Louis XVI and Marie Antoinette were around.

Takarazuka Revue's Phantom based on the play by Maury Yeston and Arthur Kopit.