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As the end of the Second World War approaches and the Soviet Red Army is advancing, a group of concentration camp inmates is helped to escape by a Polish doctor. They hide in a wood where they meet other fugitives, who have been there for months, constantly in fear of being discovered. Out of fear of the German army patrols, they do not dare to leave the forest, even as the food supplies run low.

The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.

Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.

The film will tell the story of the campaign of antisemitism waged by automotive pioneer Henry Ford throughout the 1920s. It was in 1925 that Aaron Sapiro, a self-made lawyer and activist, sued Ford for libel. After a dramatic court case that gripped the nation, Sapiro forced Ford to shut down his antisemitic newspaper, The Dearborn Independent, and apologize publicly to the Jewish people.

A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.
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